Anne Noble

Overview

Anne Noble is a leading contemporary New Zealand photographer producing images renowned for their beauty, poetry, and conceptual rigour.

Her practice is characterised by the presentation of substantial, frequently overlapping, bodies of work investigating subjects with which she has a deep interest and personal connection. Raised in Whanganui, she wanted to understand more of its great river and the people inhabiting its banks – hence the Wanganui River series which first brought her to national attention in 1980. Raised a Catholic, she was interested in women who dedicated themselves to a contemplative life - hence on her youthful overseas travel, the contemplatives in their silent Benedictine monastery in London.

Similarly the internationally acclaimed series Ruby’s Room, 1998 – 2006, which is in the collection of the Musée du Quai Branly in Paris, grew out of her desire as an artist mother to represent childhood in a non-cliched way.

Noble’s Antarctic series, mostly developed between 2001 and 2014, is undoubtedly the longest and most broad-ranging, multi-thematic investigation by any artist of how we see that continent. In visits to Antarctic centers around the world and over three visits to Antarctica itself, one as US National Science Foundation Arts Fellow, she critiqued the represention of Antactica as a pristine wilderness of icebergs and penguins and heroic explorers.

A common theme across her different bodies of work is how we perceive and understand the natural world. This extends to a broader interest in what it means to make art in the age of the Anthropocene and how art can contribute to scientific discussions, debate and action.

Recent projects have explored the place and role of bees and, currently, trees in the environment. Her images look at the way photography’s seemingly straight depiction of reality can operate metaphorically to suggest invisible content and alternative perspectives. Her work never simply describes what it purports to show whether person, landscape or bee or tree.

Noble’s work raises questions about the role of the artist photographer. Her images challenge and create a fresh way of viewing the world. As she has said: “I like the magic of photography and its capacity to align the surface appearances of the world with an interior experience of time, memory, and being that exists beyond the visible.”


We have access to Anne Noble’s full catalogue of work, beyond what can be seen on this website. Please contact the gallery for more information. 

Bio

Anne Noble is full-time artist and Professor Emeritus / Fine Art (Photography) at Massey University College of Creative Arts, Toi Rauwharangi. She is the recipient of numerous awards including an Arts Foundation Laureate Award and a New Zealand Order of Merit for her services to photography. She has exhibited widely nationally and internationally and her work is in collections throughout the world.



In a forest dark... Installation view
2021
Anne Noble
In a forest dark... Installation view
2021
Anne Noble
Bruissment bee wing photogram #12
2016
Anne Noble
photogram
Bruissment bee wing photogram #12
2016
Anne Noble
photogram
Bee Wing Morphology #5
2015
Anne Noble
original tintype /silver emulsion on coated aluminium
300 x 245 x 65 mm
Bee Wing Morphology #5
2015
Anne Noble
original tintype /silver emulsion on coated aluminium
300 x 245 x 65 mm
Bee Wing Morphology Installation Detail
2015
Anne Noble
Bee Wing Morphology Installation Detail
2015
Anne Noble
Dead Bee Portrait #1
2015
Anne Noble
pigment on Canson Baryta paper
260 x 350 mm
Dead Bee Portrait #1
2015
Anne Noble
pigment on Canson Baryta paper
260 x 350 mm
Eidolon #1
2015
Anne Noble
Pigment print on Hahnemühle paper
1200 x 800 mm
Eidolon #1
2015
Anne Noble
Pigment print on Hahnemühle paper
1200 x 800 mm
Eidolon #3
2015
Anne Noble
Pigment print on Hahnemühle paper
1200 x 800 mm
Eidolon #3
2015
Anne Noble
Pigment print on Hahnemühle paper
1200 x 800 mm
Aurina # 3
2009
Anne Noble
1005 x 1120 mm
Aurina # 3
2009
Anne Noble
1005 x 1120 mm
Antarctic experience, Auckland
2008
Anne Noble
Piezo pigment on archival paper
variable
Antarctic experience, Auckland
2008
Anne Noble
Piezo pigment on archival paper
variable
Antarctic experience, San Diego
2008
Anne Noble
Piezo pigment on archival paper
variable
Antarctic experience, San Diego
2008
Anne Noble
Piezo pigment on archival paper
variable
The Argentinan Base, Paradise Harbour
2005
Anne Noble
1040 x 1200 mm framed
The Argentinan Base, Paradise Harbour
2005
Anne Noble
1040 x 1200 mm framed
The international Antarctica Centre Christchurch
2005
Anne Noble
Piezo pigment on archival paper
variable
The international Antarctica Centre Christchurch
2005
Anne Noble
Piezo pigment on archival paper
variable
Whaling, Antarctica (Cantabury Museum)
2003
Anne Noble
variable
Whaling, Antarctica (Cantabury Museum)
2003
Anne Noble
variable
The Cupboard, Kelly Tarlton's Antarctic Adventure
2003
Anne Noble
Piezo pigment on archival paper
variable
The Cupboard, Kelly Tarlton's Antarctic Adventure

2003
Anne Noble
Piezo pigment on archival paper
variable
Phantasm 5
2003
Anne Noble
350 x 530 mm
Phantasm 5
2003
Anne Noble
350 x 530 mm
William's Field No.3 (under Erebus)
2002
Anne Noble
pigment on archival paper
400 x 475 mm
William's Field No.3 (under Erebus)
2002
Anne Noble
pigment on archival paper
400 x 475 mm
Parihaka
2000
Anne Noble
Type C colour print
380 x 750 mm
Parihaka
2000
Anne Noble
Type C colour print
380 x 750 mm
Ruby's Room #22
1998-2007
Anne Noble
pigment on archival paper
Ruby's Room #22
1998-2007
Anne Noble
pigment on archival paper
Ruby's Room #30
1998-2007
Anne Noble
pigment on archival paper
variable
Ruby's Room #30
1998-2007
Anne Noble
pigment on archival paper
variable
Ruby's Room #40 (version 2)
1998-2007
Anne Noble
pigment on archival paper
variable
Ruby's Room #40 (version 2)
1998-2007
Anne Noble
pigment on archival paper
variable
The White Veil of a Novice
1989
Anne Noble
silver gelatin print
130 x 200 mm
The White Veil of a Novice
1989
Anne Noble
silver gelatin print
130 x 200 mm